In Memory of Jacob do Bandolim (1918-1969)
|Jacob do Bandolim|
Jacob Pick Bittencourt - better known as Jacob do Bandolim - was born February 14, 1918, in Rio de Janeiro and passed away August 13, 1969, Rio de Janeiro. Jacob do Bandolim is one of the most important figures in Brazilian choro, and he has left a legacy of recordings and more than 100 compositions which will secure him a place among the best and most respected Brazilian musicians forever. He had his nickname after the instrument he devoted his musical skills - the bandolim is the Brazilian issue of the mandolin, - and he was the originator of a way of playing the bandolim, which has been adopted by countless other bandolinistas in Brazil and elsewhere. Jacob do Bandolim had a profound impact on generations of choro musicians - not only through his work as a musician and composer, but also as a researcher of choro and as a radio and TV host of programs devoted to choro and live performance by both amateurs and professional musicians excelling in this kind of music and related genres. Further, Jacob do Bandolim also arranged informal choro gatherings ( - rodas de choro) at his home and invited special guests to participate and help refining, sharing and evolving musical ideas, a tireless and demanding effort that at times would last for days and nights. All this work was a full time job, nevertheless Jacob do Bandolim had to support his financial income through a 'day job' as an insurance agent or street vendor until the State Govenment secured him employment as a civil servant with a steady income towards the end of his life. Jacob do Bandolim was a victim of a heart attack on August 13, 1969, he died on his way home from a visit to Pixinguinha's house where he had discussed and planned new musicial projects with his mentor and friend. - A more detailed profile of Jacob do Bandolim's career is available here and the official website in Portuguese devoted to everything regarding Jacob do Bandolim can be reached here.
|Jacob do Bandolim, c. 1950|
Jacob do Bandolim recorded his first session featuring César Faria e seu conjunto in October 1947, only two sides were recorded and released on a 78 rpm disc. A choro by Jacob, Treme-treme, was on the A-side
In 1951 Jacob do Bandolim started recording for RCA and was backed by musicians, who had been members of flutist Benedito Lacerda's ensemble, now lead by the cavaquinho player of the grounp called Regional do Canhoto
|Jacob and Regional do Canhoto, 1950s|
In 1951 Jacob recorded his choro Doce de coco with Regional do Canhoto, a composition that since has been part of the standard choro repertoire
Jacob recorded several sessions with Regional do Canhoto from 1951 to 1961, in 1957 he recorded the choro Noites Cariocas, an all-time hit since then associated with Jacob and the nightlife of Rio
In 1965 Jacob formated his most famous group, Epoca de Ouro, featuring members that had backed him since start of the 1960s under other names such as Jacob e seus chorões and Jacob e seu regional
|Jacob and Epoca de Ouro, 1960s|
Jacob and Epoca de Ouro had their greatest success with the 1967 recording of the RCA LP-album titled Vibrações, the title track of this album is another choro by Jacob, which forever is associated with him and the spirit of Brazilian choro
After Jacob do Bandolim's untimely death in 1969 the Epoca de Ouro ensemble dissolved, but the group reunited in 1973 and had a profound impact on the revival of choro in Brazil during the 1970s. The Epoca de Ouro is still an active choro ensemble today with new members in the group taking over and continuing a tradition and reliving a body of musical works associated with Jacob do Bandolim and his legacy.